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Ti​-​Re Ti- Ke Dha

from Eos by Patti cudd

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    I have long explored the world of percussion through touch, revealing marvelous and hidden sound worlds in simple objects. This collection shows my lifelong passion of bringing such new works to light.  A number of these pieces have lived with me since my graduate days, others are recent commissions, but all have expanded my musical horizons in extraordinary ways.  Now by extending the world of physical percussion with virtual computer objects and processes, I am excited to enter new sonic and mental territories in the company of these many remarkable composers.
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Ti-Re Ti- Ke Dha (James Dillon, 1979) Demonstrating James Dillon’s “New Complexity” compositional style, every component of Ti-Re-Ti-Ke-Dha is excessive. There is an elaborate utilization of spatial notation and an abundance of information inserted into the score. Dillon aggressively exploits the sound palette through an extended instrumentation, implements, and techniques. As a result, the work challenges the performer through multiple layers of melodic, rhythmic, dynamic, and textural gestures. *Edited from Kevin Arthur Nichols Dissertation “Important works for drum set as a multiple percussion instrument”

credits

from Eos, released January 28, 2021
Executive Producer: Chris Mercer
Producer: Chris Mercer and Patti Cudd
Engineering and mastering: Chris Mercer and Chris Jacobs
Recorded at: Erickson Hall Recording Studio, University of California
Year piece was recorded: 1998
www.edition-peters.com/composer/Dillon-James

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Patti Cudd Saint Paul, Minnesota

Dr. Patti Cudd is active as a percussion soloist, chamber musician and educator.

As a champion of the music of the 21st century, she has given concerts and master classes throughout North America, Asia, Europe and South America.

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